Information overload.

For the past 5 years, I have been living as a functioning Infoholic.

These are the signs:

The first thing I do when I wake up is check emails and Facebook, and then NBA scores and news. I tell myself I do this “to wake my brain up”, but the truth is that I do it because I am addicted.

When I am with my beautiful daughters, there are many times when I am checking Facebook, instead of listening to what they are saying or watching them play. I sometimes get annoyed with them for getting in the way of my information-gathering habit.

I usually look up trivial facts during each movie I watch: What else has this actor been in? Who wrote this screenplay? It’s become quite normal to tweet during TV events, but I struggle to watch a whole movie nowadays because of my reduced concentration span.

A few days ago, my iPhone broke. I went a few hours without it. Then I realised I’d gone a whole day. Then three days. And nothing bad happened. I read a book. A whole book, not just the article about it on Wikipedia. I felt liberated, as though I am not at anyone else’s beck and call. The constant worry was gone, and I felt my brain starting to work at full speed again as the data haze started to disappear. The information stopped becoming so immediately abundant, but a visit to a library reminded me that there was still more information available than I could possibly consume.

John Naish, author of the book Enough, lives in Brighton UK without a mobile phone. When I first heard that, it sounded impossible. But maybe he is making a wise choice. Maybe we don’t need our gadgets as often as we think we do. Maybe the constant flow of information is paradoxically making us less informed. Maybe our inability to be bored, is actually getting in our brain’s way from doing the sorting and indexing required to make new creative connections. Maybe we’ll soon realize that our cultural and creative progress is being held back, and we need to move past this information addiction that so many of us seem to suffer from.

But for now, my iPhone is back. My ipad is always nearby. My Facebook feed is just a click away, wherever I am. And my daughters have started to ask constantly for the ipad or the phone, and they get really, really annoyed if they aren’t allowed to use them…

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Branded Content is older than your Grandad.

It’s funny to me that people think that “Branded Content” is a new idea.

It’s so old. (Vanha, as we say in Finland).

Screen Shot 2012-12-10 at 3.30.11 PM

MIchelin first published its Michelin Guides in 1900. Michelin Stars are still the thing that all the world’s restaurants strive for.

I found a new example today. A radio show, completely commissioned by a drinks brand, in the 1940s.

Image

The 10-2-4 Ranch was aired in the south during the second world war. Great tunes, and a great connection to the brand which was (according to their research) consumed mostly at 10am, 2pm and 4pm. They used the 10-2-4 thought in their print advertising too – a true 360 campaign based on a real insight and including branded content.. almost 70 years ago!

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Who is your most valuable customer?

Yesterday I saw this sign in a food shop in Helsinki. The owner is rewarding people who promote his shop by giving them a small discount.

It seems that Kellogs are also playing with this idea, with people able to pay for cereal with a tweet.

I said a while back that the most valuable customers are not always the ones who spend the most, but can be the ones who promote you the most.

The CLV should be the Social CLV.

The best CRM database systems in the future will measure transaction activity and social activity, and reward you for both. I don’t really know anyone who is really nailing this yet. Do you?

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Why advertising pitches are like ‘The Bachelor’.

For most of my career, I was The Client.

Whenever we needed to pick a new agency, we used to think that pitching was the responsible thing to do – we tested out agencies “for real” as we got to see them work on our problems, not other people’s.

But now I work at an ad agency, and the truth I’ve come to realise is: pitching is the worst way to start a relationship.

Pitching is the equivalent of the TV Show The Bachelor: one guy picking from 30 women according to a pre-defined process and time schedule, regardless of initial chemistry and compatibility.

You get a winner, but you rarely start a genuine relationship.

Just like with personal relationships, it is great when we meet a team on the client side who is so close to us in terms of thinking. It could be the start of a great relationship, a true partnership.

However, nearly always now, we have to pitch creative ideas next. My experience of recent pitches is that, even if we win, it is not a good way start to a relationship:

  1. It distances us from the client at the outset: it sets the relationship on a path of “us” vs “them, of “judge” vs “competitor”.
  2. Partnering and collaborating are not part of the pitching game: Media agencies are told not to intervene, time with the client and other information is limited, and the result is a contest that is more a test of endurance than a test of suitability.
  3. It also frustrates creatives: they know that the work they pitch is only a test, that it probably won’t even be used.
  4. Perhaps, most importantly, by setting agencies against each other, the competition – winning – becomes the important thing. Helping clients and building a true understanding becomes secondary to just beating the other guys.

Instead, when it feels right, when the chemistry in the relationship is there and both parties want to party, then maybe we should just start working and collaborating together and not competing for the prize of a new account. In my experience, working on a real project is the best way to get a team fired up and passionate about the new relationship.

So, to any clients reading this, here’s my advice: have a few “dates” and talk to a few people, and look at their previous work, but then make a decision and start working on something. You’ll find out pretty quickly if it was a good decision, and you’ll be much better off for it.

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Happy Birthday to me. From Google?

Nice of Google to use their homepage to wish me Happy Birthday today.

There are 20 candles missing though.

But much appreciated, nonetheless!

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Key dates in the history of the Interent.

(someone at work asked me to pull together a quick timeline of some key dates for the internet. I had a go. Tell me if I’ve: got something wrong; added something irrelevant; missed something vital)

1969 first host-to-host transmission happens in California

1972 First emails sent

1973 The term “Internet” is used

1991 The World-Wide Web (WWW) released by CERN, developed but Tim Berners-Lee. The same year as the first GSM call was made in Tampere, Finland.

1992 Al Gore talks about building “The Information Superhighway”.

1993 Netscape, the first commercially successful browser, is released

1994 Amazon is founded

1995 JAVA programming language is created by Sun Microsystems

1995 Yahoo is founded, providing web search engine, email, mapping

1996 The first mobile phone connected to the Internet – the Nokia 9000 Communicator – was launched in Finland

1997 The first weblogs appear, later termed Blogs.

1998 Google is founded, with its breakthrough search algorithm.

2000 The first internet bubble “bursts”…

2001 Wikipedia is launched

2001 First commercial launch of 3G in Japan.

2004 Facebook is launched

2005 Youtube is launched

2006 Twitter is launched

2007 The iPhone is launched

2009 40th birthday of the internet. Angry Birds released.

2010 Pinterest is launched

2011 Twitter and Facebook are the primary means of communication for the Middle East revolutions.

2012 Draw Something is released, getting 50 million downloads in its first 50 days. Instagram gets to 13 staff, and sells for 1 billion dollars to Facebook.

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Freelancers: Do at least 2 of these 3 things to keep getting hired.

According to Neil Gaiman, you need 2 of the following 3 things if you are to be hired regularly as a freewlancer:

1. Be a pleasure to work with

2. Produce good work

3. Always deliver on time

“People keep working, in a freelance world, and more and more of today’s world is freelance, because their work is good, and because they are easy to get along with, and because they deliver the work on time. And you don’t even need all three. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. They’ll forgive the lateness of the work if it’s good, and if they like you. And you don’t have to be as good as the others if you’re on time and it’s always a pleasure to hear from you.”

Which in a diagram looks something like this:

 

Of course, doing all three makes you a star performer. But make sure you nail at least two and you’ll keep working at least.

ps I highly advise you watch the speech Mr Gaiman gives – it’s excellent.

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Gesturing to the future of interaction design.

Leap Motion might be the most amazing tech thing I have seen in… maybe forever?

In their own words:

“Leap represents an entirely new way to interact with your computers. It’s more accurate than a mouse, as reliable as a keyboard and more sensitive than a touchscreen. For the first time, you can control a computer in three dimensions with your natural hand and finger movements.

This isn’t a game system that roughly maps your hand movements. The Leap technology is 200 times more accurate than anything else on the market — at any price point. Just about the size of a flash drive, the Leap can distinguish your individual fingers and track your movements down to a 1/100th of a millimeter.

This is like day one of the mouse. Except, no one needs an instruction manual for their hands.”

It apparently plugs into a computer and just works. It’s available this year and will only cost 70 dollars. Amazeballs.

The possibilities for stunning new experiences and interaction designs just seem infinite. Considering the video above is just a demo, I cannot help but get excited: once this thing is given to the public (this year, only 70 USD!) then the crowd is going to create things that will blow our minds. Guaranteed.

And it makes me glad I work for an agency who can think of creative ways this could be used. We’ve got a couple of ideas already…

Hat tip @Blether.

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The POSSE media model

It’s been a few years since I posted the original Own, Bought and Earned media model and the slightly updated version a little while later.

Although it is still a good way to think through your media options, it does feel as though the model is a bit too simple nowadays.

So I have come up with a new one, called the POSSE media model. I’ll explain it below the diagram:

The POSSE media model is built on two basic levels of activity: to produce and distribute content. The better you do these two things (and the more it is based on listening and understanding your audience) the more media exposure you will earn.

Produce content. Can be classed as Owned and/or Social

  • Owned

This is the media you have (more-or-less) complete control over, e.g. a corporate web-site, or a retail store.

  • Social

This refers to branded social media presence such as Facebook, Twitter, YouTube, Vimeo. Social platforms that give you a chance to build a presence as a brand. Note that you do not have much control over these in terms of functionality, and the terms of the service can change at any point. (Steve Sponder calls this Borrowed media, which makes sense but I think overstates the transience of these networks. Also I think Social works as a term for now at least, as it is widely understood by people).

  • Overlap of Social + Owned

This is at least two things:

1. Brand-generated platforms or communities specifically designed for customers to co-create and collaborate with brands. (e.g. Dell’s IdeaStorm and Starbuck’s MyStarbucksIdea.) (what Brian Solis calls “Shared” media)

2. Own content such as videos that are the fuel for a brand’s social channels. You do have complete control over the format of your own video (within reason) but the video ultimately boosts other media owners’ site visits. They may also place ads before or after your content without asking your permissions, for example.

Distribute content: can be classified as Paid and/or Seeded

  • Paid

Media placements that you have paid for. Think SEM, banners, sponsorships. It can also be “traditional” media placements such as TV, Print, Outdoor. Paid media is still important, especially if you want a lot of people to see a fairly consistent message about you.

  • Seeded

This is referring to seeding of content among “influencers”. PR agencies, or WOM agencies like 1000heads, can help to build these relationships, identifying who to speak to and how to persuade them to feature your content. Sometimes these will be the people with the biggest reach, but often those people are deluged with requests. So instead, the seeding often happens with brand advocates, people who are genuinely fans of your product or service, or at least people who have shown a previous interest in products like yours in the past. This helps with the credibility and authenticity of their post(s).

  • Overlap of Paid + Seeded

This is where I would put things such as sponsored stories on Facebook, or Twitter’s promoted products, both of which cost money and are based on advertising to people’s social graph. It is interesting that social-media agencies are the ones who are picking up on this, whereas traditional media agencies are struggling with it. “Paid seeding” is also possible using partners such as GoViral who have a network of video sites, or by paying YouTube to feature your video to its users to give it an initial push and get it noticed.

If you do all of the above well, you get some “Earned Media”

This is people posting and talking about your product and its advertising. If you do things well with your own media, choose and manage your social presences wisely, seed to the right people at the right time, and perhaps pay to get noticed by more people, then you should hopefully earn media too. It will give your content extra push (distribution), and you will have earned it so these will be considered the most authentic voices of all. But you cannot guaranteed the message at all, so a lot of what is distributed may be unrelated to your intended communications. Really, positive earned media is a measure of how interesting your content is and how well you distributed it.

Why “POSSE”?

Well, acronyms are always cool, aren’t they?

But in this case, it serves a second purpose. New media techniques such as these are about people, and they need skilled people to make them happen. You can’t have one person spending a load on one advert and expect it to succeed like it used to. Instead, you need to hire many people, with new and diverse skills: editorial content, community management, search engine optimization, blogger relationship management, UX experts, etc etc. In other words, you can’t fix this problem by throwing money at it; to succeed in this new media landscape, you need the right kind of POSSE.

Credits.

- This thinking was hugely influenced by the original Nokia digital posse (you know who you are), plus lots of people who commented online and in person about my original post.
- Brian Solis, who’s Brandsphere is very smart and taught me a lot, but maybe a little complicated for me.
- Steve Sponder, who made the excellent PONBE model which clearly influenced this model.

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Am I the only one tempted to let through some of the comments that get caught in my spam queue? They’re so damn *nice*

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